18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
The repair bench of the survey-loft studio: one named defect, one surgical repaint, original untouched.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
5s
⚡ Generate
5s
⚡ Generate
Most imperfect frames are one defect away from right, and the editor exists for that defect. Mark a region or describe a change — the dress in another colour, the stray object gone, the background extended an arm to the left — and the bench repaints only what you named, keeping the original untouched beside the result. At 21 credits it sits deliberately between a draft and a re-render, and priced like the rescue it is.
The discipline of the bench is naming. “Make it better” is not an edit; “repaint the scarf deep green, keep the knot and the folds” is. One defect, one instruction, one look at the result — the editor rewards the same single-change habit the generator teaches.
It also rewards restraint in a second way: the editor is where series go to be made consistent. The necklace that changed between frames, the prop that wandered, the wall colour that warmed as the light clause drifted — these are one-line repairs here, against a full re-render at the generator with no guarantee the new frame keeps what the old one had. Professionals reserve re-renders for composition. Everything smaller has a bench, and this is it.
One sentence: what is wrong, and where. If you cannot name it in a sentence, the frame needs a re-render, not an edit.
Say what the region should become — colour, fabric, object, empty wall — in the same concrete nouns you would use in a brief.
The original stays untouched. Judge the edit at full size, especially at the seams of the repainted region.
A series stays consistent when the dress that changed colour between frames is corrected instead of re-shot.
The cup on the table, the modern lamp in a period room — local removals are the editor cheapest work.
A frame cropped too tight gains breathing room without disturbing its centre.
Brief: “Repaint the scarf deep emerald, keep the knot, the fringe and the way it falls.” Colour changes; structure is ordered to stay.
Brief: “Remove the picture frame on the wall behind her and continue the panelling.” Removal plus what replaces it — both halves matter.
| Region size | Tight regions edit cleanly; half-frame repaints drift toward re-renders |
|---|---|
| Instruction nouns | Name fabric, colour and object exactly — adjectives alone smear |
| Originals | Every edit is a sibling of the original, never an overwrite |
| Order | Edit before upscaling; finishing an unedited frame wastes the upscale |
21 credits per job, shown before you confirm — priced between a standard draft (6) and a premium re-render (41) because that is where the work sits.
Never. The edited version is saved alongside; the original stays as it was.
Your own media, yes. Other adults photographs follow the consent rule: documented consent, producible on request.
If the photograph underneath is right and a named detail is wrong, edit. If the pose, room or light is wrong, re-render.
Failed jobs refund automatically to your balance.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generatorYour image is deleted after generation.
Browse filesFailed jobs are refunded automatically. Results land in My Collection.
Sign in with Google to start generating
Opening secure Google sign-in…